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Carlos Elias

Carlos Elias
Assistant Professor of Music

B.M. (Violin Peformance) - Biola University
M.M. - University of Cincinnati
Artist Diploma - Duquesne University


Started at Mesa State: Spring, 1999

Birthplace: San Salvador, El Salvador

Instrument he plays: 1985 violin by late American Sergio Peresson

Experience: Elias has played in the World Philharmonic Symphony (1986), Sendai Philharmonic Orchestra in Sendai (Japan), Pittsburgh Opera Orchestra, Erie Philharmonic, Wheeling Symphony Orchestra, and as assistant concertmaster of the El Salvador Symphony Orchestra. He is currently concertmaster for the Grand Junction Symphony. He has conducted the Sendai Philharmonic Junior Orchestra in Japan, the National Center of the Arts Chamber Orchestra in El Salvador and the Pleven Philharmonic Orchestra in Bulgaria.

 

A conversation with Mr. Elias

Why do you think teaching music is important?
We've got to think about future generations and we need to have good teachers; that is the bottom line. In order to be a good music teacher you have to be a good performer, you have to know how to play your instrument before you can teach it.

Why is it important to teach music to kids?
If kids get exposed to music and see it as a subject this gives them much more time for them to become proficient in the instrument. It will also help them improve in other subjects.

Why do you teach?
I've always enjoyed teaching violin. My main influence was my orchestra director at my undergrad. He showed me how to make others excited about music and I model myself after him. Anything I do in teaching I want my students to do their best, to the best of their abilities.

What was learning music like in El Salvador?
We don't have a university school of music, we have a nationally funded conservatory, the National Center of Arts in San Salvador, to cover first grade through high school. When I started at age 5, it was the first year the Suzuki method was used. My mother wanted me to learn the piano but there were no piano lessons for little kids, so I ended up with the violin. Being in a small country like El Salvador there's a lot of opportunity. We got a good education. I was the youngest member to enter the El Salvador Symphony at age 16. While the pay was not good, it was enough for a young single person. My first purchase was my own car. In order to continue my music studies after high school, I had to go abroad.

How did you meet your wife?
(Carlos is married to Andrea Arese-Elias, an adjunct professor of piano at Mesa State.)
We met in Cincinnati, she was getting her doctorate and I was getting my master's. She was my piano teacher. We started to make music together. It was important that we had the musical element in common.


Written by Rachel Alexander, Mass Communications Student

 

 

 

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